Although the file size varies according to the particular image, you can typically store 15 to 20 fine images or 30 to 40 standard images on one floppy-about the same as a roll of film. An average fine image requires about 60 KB of disk space, while a standard image requires only 30 KB or so. You can opt to store images in either “standard” (compressed JPEG) or “fine” (uncompressed) form. 411 file that contains the timestamp and other information about that image. If you want to give a copy of a picture to someone, you can simply copy that image (or the entire disk) and hand the duplicate diskette to him.Īnother nice thing about the Mavica is that it uses standard JPEG format. For that matter, the Mavica has a copy utility built-in. You can simply pop the diskette into a PC and copy the image files. This means you don’t have to mess with cables or transfer software to get the pictures from the camera to a PC. The diskettes it produces are vanilla PC disks-readable by any DOS or Windows computer. On the plus side of the ledger, the Sony stores images directly on its internal high-density 3.5″ floppy drive. The more I play with it, though, the more I think he probably made a very good choice. As a matter of fact, when Steve showed me his new acquisition, my first thought was that he’d made a serious mistake. Let’s get the bad part out of the way first: the Mavica’s maximum resolution is only 640X480-not very high by today’s standards. But before you rush out and plunk down your cash for that Olympus, take a look at what the Sony Mavica has to offer. Sony is not a mainstream name in digital cameras, and the Mavica certainly marches to a different drummer in design and features. I’ve been playing around with a digital camera-a Sony Mavica FD7-that my friend Steve Tucker bought recently. Of course, he then goes on to detail the troubles he’s had transferring images to his PC and getting them massaged into a form usable on his web site. Pournelle waxes lyric about the joys of using Olympus digital cameras, and I’m sure he’s right. See a more complete contemporary review of this camera here
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